Category Archives: music

Top 5 things I learned at San Diego Music Thing

I spent a fair bit of time at San Diego Music Thing this past weekend. Sadly due to work and the blackout, I was unable to attend panels on Friday, but managed to hit up quite a few venues after my 3 hour volunteer shift at the Lafayette’s Mississippi Ballroom. Saturday, I made sure to catch some of the panels before another shift in the depths of the hotel. Exhausted, I didn’t make it to additional shows that evening but I had my fill.

5. Sometimes everyone is to blame. When planning events something goes wrong, small or big, noticeable or not, something always goes wrong. Well, on Friday night in the Mississippi Ballroom, a lot went wrong. Viejas overbooked and backed out of doing sound two days prior to the event. Another reputable company (Audio Design, I think) took on the job. The PA/mixer system brought was not adequate for bands, OK for the panels, but not good at all for headliner type bands. I’m not sure if it was what was ordered or it was brought based on perceived sound needs. Anyhow, it sucked.

The first band, 321 Stereo sounded awful. There was static coming through the speakers and the lead singer was blowing out the high-end, not to mention she was singing off-key. We solved some of the issues with the second band, Bart Davenport. But with the third act, The Frail, one of the monitors and one of the mics blew out. Oh, and they could get their Mac to hook up so they were operating as a live band (which they say they never practice that way and rely on the steady beat) The Frail’s managers were watching from afar via webcast and were apparently not happy. Fun, fun.

Did I mention the sound guy looked stoned? All the while, we were trying to figure out how to make Nico Vega‘s lead singer’s in-ear monitor work, which we never did. I skipped out on most of their set, having had my fill of excitement. But I heard the show was awesome with a crowd of about 75-100 people.

4. Copyright, register w/ BMI & ASCAP, register w/ SoundExchange, & distribute w/ aggregator = money This was the basic formula to make even the slightest bit of money using the digital medium shared in the panel: “The future of music distribution…is it the cloud?” Although very dry, I found this to be a very informative panel which is what the panelists set out to achieve. They laid out the details of the cloud simply so attendees could follow. Well done.

3. Facilitators are necessary to keep a panel on track. Well, this is mostly true. Some panelists are good about staying on target, but others will stray for a story about some famous band that did something great or to promote their own business.

In the panel with Michael Addicott from Pandora, they never even addressed the question posed in the title of the panel: “As online radio grows, what happens to the independent musician?” unless “keep trying” was the answer. It was sad to see guest panelists knowledge wasted due to missing parameters. There are a number of individuals who would be great facilitators in this town who would ask relevant questions to keep thing on track. People who come to mind include Rosey Bystrak of San Diego Dialed In, Seth Combs,  Chris Maroulakos of Owl and Bear, George Varga of the Union Tribune, Bart Mendoza, Lyn Pagsolingan, and the list goes on.

2. “Aim low, reach for the stars,” “Play in a phone booth, say your show was packed wall to wall!” “Your t-shirt doesn’t need to have your band name on it, search your lyrics for some gems.” Martin Atkins, author of Tour: Smart and Saturday’s featured presenter, shared his honest and straight-forward advice to musicians regarding the music business, while making you bust your gut laughing. Truthfully, I gained a lot of solid information from his session even though I was in and out of the room. I even walked away with both of his books as a gift to my husband.

1. You don’t have to be a musician or in the music business to enjoy this event. Several times during this weekend, I found myself asking “Why am I here?” This event had nothing to do with my career path, I’m not a musician nor involved in the music industry. Luckily, Mat Bates of Slacker was there, as I verbally expressed this thought, to remind me that I didn’t need a reason and if I did, it’s because I love and have an interest in music.

Thank you for setting my thoughts straight, Mat. So I will pass this mantra on… “Do what you want, do what you love and have fun.” ~ Me (and probably someone else famous said this at one point too).

Learning to rock, the classic way

I was born in 1979. Just in time to actually remember the eighties, but quite a bit late to catching anything from the years of pure rock greatness.

It’s just a shame you missed out on rock ‘n’ roll. It’s over. You got here just in time for the death rattle. Last gasp. Last grope.  – Lester Bangs (Phillip Seymour Hoffman), Almost Famous

I even missed that. The synth of the electronic drums and keyboards became the ruling sound on the airwaves for a decade of hot pink and leg warmers.

But I have always had a strong affiliation with the seventies, and more than just the attire. The music was known to me great. Names such as Led Zeppelin, The Who, Cream, Aerosmith and more are legends in their own right. They influenced so much more from their work in during that decade. But I always felt I knew of them more than really knowing them, more like an acquaintance than a long time friend. I took a Rock since the 1960′s class in college where I found a deeper respect for producers and Brian Wilson, but other than that, I didn’t gain much else.

So Saturday, Roger and I will be going to see RUSH. Less than a month ago, my only comment would have been, “Yeah, they are one of those hair metal bands from the late seventies/early eighties, right?” I wouldn’t be incorrect, but the depth of my knowledge was only at the surface, barely making a scratch.

Since then, I have had some hard-core training of the best kind. The initiation started with the RUSH documentary. Music documentaries are not foreign in our abode. I feel like we see at least one a month if not more. As documentaries go, this one was pretty comprehensive talking to the band members as well as family and friends. The skill is evident. Mind blowing, in fact (I might be forced to use that term several times in this post). I was amazed by their focus… no after parties, just on to writing the next song/album. Did I mention their skill?

After the documentary, I was ready to take on the catalogue. I loaded all of the albums on my iPod and just listened. Well, I was listening and working. Not the same, at all. It was like I was doing my due diligence. It never reach the veins or the marrow.

Last weekend, I took a trip to Phoenix, driving all the way… solo. Desert road trips solo seem to constitute finding myself. This time, I wanted to find the deeper connection to the music that only had skin deep meaning from the era of true rock n’ roll. I had Roger stockpiling my car with recommendations on where to begin. So here are the bands/albums, that reached my ears…

  • Black Sabbath: Paranoid
  • Rush: 2112, Moving Pictures, A Farewell to Kings
  • Heart: Greatest Hits
  • Alice Cooper: Love it to Death
  • The Who: Who’s Next
  • Led Zeppelin: III and IV (to be fair, I already knew and love these albums)
  • Creedance Clearwater Revival: Not sure which, might be a hits album
  • Aerosmith: Toys in the Attic
  • Cheap Trick: Greatest Hits

I covered a lot of ground, both musically and literally. Listening to these albums straight on the open road is a similar experience to strapping on headphones and just listening, no distractions. Rush’s 2112 took my ears by storm. Seriously, it may have just knocked Jeff Buckley’s Grace right off the pedestal. I was surprised to find out how much I liked Black Sabbath’s Paranoid. Maybe I’m turning into a 13-year-old boy for my new-found love for these albums, I don’t care. I know that I will be soaking it all in on Saturday, praising to the drum god Neil to send some of that skill to my boy.

School of Rock all grown up: Lua

Those School of Rock kids seem to be growing up fast. Meet Lua, one of the bands that arose out of friendships made at San Diego’s School of Rock. Previously (as in only a couple of months ago) called Pitchfork Perfection, Lua is composed of Emily Anne James-Kanis on vocals, Jordan Krimston on drums, Sarah Linton on Guitar, and Karter Rosner on bass. Influences of Yeah, Yeah Yeahs and Avril Lavigne are evidenced in their music.

Lua will be playing Sunday, June 19 poolside at the Handlery Hotel in Mission Valley with several other former School of Rock kids who have now formed their own bands. Here is a video of them doing ”Try it Again” at a house party in March.

My apologies to Emily for this not going out sooner.

Back to reality

My life is slowly getting back to normal as is my over-taxed body. The last couple weeks have been a whirlwind so much so that I just realized that I forgot to press “publish” on the last post I did for a band. Now I need to update it with new show information (Sorry, Emily).

If you have been in a cave, you may not know that last weekend was the North Park Festival of Arts… the festival I work on with a team of awesome, committed individuals including Liz and Amy from North Park Main Street, Rosey from San Diego: Dialed In, Dang from Bar Pink, Kathryn from Stage 7, Anna and David from A7D, Natalie from McFarlane Promotions and Svea from San Diego North Park Craft Mafia. Also we had a great media partnership with FM94.9 for the Craft Beer Block that allowed us to expand the block by about 100 ft. I hope you made it out to see the incredible diversity of art, dance or music. The weather was perfect and drunkenness was kept to a manageable level. Good responsible drinking. Even Mayor Jerry Saunders and his wife Rana Sampson made it out for some beer tasting. Apparently, SoundDiego has photos, but I have yet to see them posted. Anyhow, overall the event was a success and I look forward to doing it again next year (after some rest).

Another event that happened in the last couple of weeks as the TEDx Amercia’s Finest City at the Scripps Seaside Forum in La Jolla. It was an awesome opportunity to meet people who are seeking to drive change and make a difference in the world. The theme was “Get Your Fix” which each speaker took at from a different angle.  Barbarella hosted the as 15 speakers as they each had 12-18 minutes to share their point. Despite technical difficulties, the event ran well and it made me want to get moving on making a positive impact for social good. Yes, I realize the festival qualifies as a positive impact to the North Park community, but I feel like I could do more. And I might just get my chance. One of the event organizers of TEDxAFC wants to collaborate with me on developing a follow-up event with the same sort of theme to continue the momentum of bringing people together creating positive change. We shall see what becomes of that, but it shows promise.

Oh and there is an exciting derby bout this weekend that you do not want to miss. I will be there, but no skates. Skating has taken a back seat to all of my community and family work. Trading love for love. So that is the world of me right now. I hope to be seeing you around!

Local Music Review: Inspired and the Sleep

Artist: Inspired and the Sleep

Songs: The following songs are available to stream on their Soundcloud page:

  • “Chops”: Beats, that will likely case you to stumble on the pavement if you attempt to jog along, surprise you with their innovative stylings. You can definitely hear the influence of Rafter in this one.
  • “The Claw”: Slightly reminiscent of a one of my favorite New Zealand band’s, Zed with oddities that include sound effects and the use of the word, “serotonin,” twice. 
  • “Garden of Your Affection”: Sweet little love song. Toe-tapping drum beats with nothing real obscure.
  • “So Great”: The title says it all.

Overall: Off to a great start, these boys won 1st place at the Cal State Uni San Marcos Battle of the Bands in March of this year. Max Greanhalgh, of Tan Sister Radio leads on vocals and the reins of marketing and promoting. Bandmates, Hayden Stewarton drums and Bryce Outcault on guitar rounds out this trio giving the band the opportunity to truly experiment beyond one individual’s capabilities. Inspired, but no room for sleep. Take a look at what they have been up to:

Albums: Kaleidoscope Years EP (2011), recently recorded with Chris Hoffee at Chaos Records, to be released this Saturday.

Calendar: Currently, they have two dates listed to release their EP:

  • Saturday, May 7 @ Che Cafe with Pilots and Get Back Loretta (all ages)
  • Saturday, May 28 @ Boar’s Crossin in Carlsbad (21  & up)