Venting Through Music Appreciation

Right now, I just feel like writing. I guess this is why I created this blog. Who cares if it is entertaining to others or serves as any sort of educational commentary. Sometimes you just got to get shit out of your head.

Personally, I feel I am a positive person. I have goals and dreams probably more extensive than most. But sometimes the nature of life gets me down. At these times, I take a look around me to check out all of the great things in my life… sometimes it takes some thinking. Right now, I have many things that make my life meaningful. But somehow it seems I still let the sour parts get in the way.

When I went to the gym today, I was nearly crying (OK, I did cry). Things at work… not so great. That is all I’m going to say on that since I vowed from the start of this blog that I would not burden the world with my work woes. Anyhow, I was thinking how I need to bring back my positive energy. It is there.. just suppressed.

Roger awhile back helped to create a mix for the North Park Festival of the Arts to be played on the main stage between acts. I remember he took a while to make sure that all the songs on the playlist were appropriate to play for a family crowd and were mostly upbeat. It never got played sadly since the sound guy had his own mix and had better things to worry about, like the monitors not working. Anyhow, I never really got a chance to listen to it until recently. I thought I would share with you the tracks that are on it (in order).

Artist: Song from Album
1. Vampire Weekend: Cape Cod Kwassa Kwassa from Vampire Weekend
2. Wilco: Shake It Off from Sky Blue Sky
3. What Made Milwaukee Famous: Sultan from What Doesn’t Kill Us
4. Nada Surf: I Like What You Say from Lucky
5. Spoon: The Underdog from Ga Ga Ga Ga Ga
6. Langhorne Slim: Worries from Langhorne Slim
7. Silverchair: Straight Lines form Young Modern
8. She & Him: Why Do You Let Me Stay Here? from Volume One
9. Robert Plant & Alison Krauss: Gone Gone Gone (Done Moved On) from Raising Sand
10. She & Him: This Is Not a Test from Volume One
11. Wilco: I’m The Man Who Loves You from Yankee Hotel Foxtrot
12. Neil Young: Walk On from On The Beach
13. Nada Surf: See These Bones from Lucky
14. Vampire Weekend: Bryn from Vampire Weekend
15. Matthew Sweet: I’ve Been Waiting from Time Capsule: The Best Of Matthew Sweet
16. Tegan & Sara: Back In Your Head from The Con
17. The Magnetic Fields: Washington, D.C. from 69 Love Songs, Vol. 2
18. The Flaming Lips: Do You Realize?? from Yoshimi Battles The Pink Robots
19. Dead Rock West: Highway One from Honey And Salt
20. The Replacements: Kiss Me On The Bus from Tim
21. Pinback: AFK from Summer In Abaddon

The last two songs really don’t flow with the rest of the tracks… but I left them on there anyway. When I was looking for a link to The Replacements, I really couldn’t find much since they really don’t play. So I linked it to this Paul Westerberg blog that is for the super fans of the Replacements. It is entertaining at best.

Anyhow, my brain and my emotions feel a little clearer after this post. Even though I haven’t solved all the world’s problems, or even my own, I will at least feel better as I fall asleep tonight. It is amazing how a little bit of music and little a bit of sweat can calm the soul, at least temporarily.

Steve Poltz and the Cynics, Belly Up Tavern

Finding time to type out all the fun things swirling in my head seems near impossible. Right now, I have fifteen minutes before I need to be off to my parents house for dinner. The plan after that is to head to the Casbah for the Silent Comedy, Or the Whale, Hotel St. George. But we will see, staying for the headliner on a Sunday night is a very tough thing nowadays. So I will do my best to at least recap last night’s events.

Sara Petite and the Sugar Daddies opened for Steve Poltz and the Cynics at the Belly Up. Sara with her country twang that really only seems to appear when she is singing, livened up the crowd with originals and a few covers. It was a good hour long set…perfect.

Steve took the stage to a packed house with an additional Cynic (besides Patrick Dennis and Chris Hoffey), Shawn Rohlf from the 7th Day Buskers. The show was in typical Steve fashion, full of stories that seem spontanious, but have been performed over and over to the point of near scriptedness. There were definitely amazing moments… Patrick dressing in a dress and blond wig singing “You Were Meant for Me” with Steve, Frank Lee Drennen showing up throwing empty plastic cups at Steve, and Steve inviting both sound guys at the Belly Up (O from the Cheap Leis and Martin) to play Waterfalls and Dick’s Automotive… which neither had ever played these songs before.

The hour long encore, typical of Steve in the old days, was a bit much for the Belly Up crowd (and the Cynics… Patrick left the stage twice thinking that the show was over). My feet were a bit sore from the night but I was definitely satisfied with my fill of Steve from this show. He play to all requests and did an ultra-powerful rendition of “Rain” that gave me the shivers.

NXNP: San Diego’s Music Event of the Year

Whatever anyone wants to say about Kevin Hellman (and I will agree with most things people say about him)… this past weekend’s North By North Park was probably the best idea he has ever had and a highlight in the history of music in San Diego. Yes, I did say that Kevin Hellman made a brilliant move and that this event will go down in history. So, so, so sorry for you if you missed out on this one… but the good news is, this will be an annual event. Please don’t miss out on it next year.

So what made this event one of the most notable music event’s of San Diego history?
North By North Park:

1. Brought together all aspects of the local music industry including songwriters and musicians, producers, audio technicians, radio DJs, record A&Rs, marketing promoters, and venue owners, all in the same space to network and share their knowledge about how to succeed in the business.
2. Gave the opportunity to new and veteran artists show their work to the public and to radio producers.
3. Introduced San Diego artists and venues to the public for a great price.

The structure of the event included a “conference” at the Lafayette Hotel during the day that consisted of one keynote speaker, demo review sessions with local radio stations, and panels that focused on various aspects of the music business. In the evening there were shows around the “greater North Park area” at various venues for both the 21 and up crowd, as well as for all ages. The shows invited local musicians to perform short (20-45 min) sets. A wristband got you into all of the venues and use of the shuttle transportation between venues for one low price of $15.

As many know, I love music but I am not in a band and have no desire to be on stage or to learn a musical instrument. I went to the panels in the morning with an open mind… since I really didn’t think any of it could possibly apply to me. I was wrong. The panels were interesting and engaging. Here is what I learned:

1. Artists should network with bands from other cities to help you connect with venues to play shows on the road.
2. Put your best song first on your demo. Radio/record producers will only listen for about 1 minute or less to pass judgment.
3. Talk to other people about what you are doing (i.e. about gigs, the fact you have a band).
4. Genuinely thank people for coming to shows… they are your best marketing tool.
5. Have a website that you can control (not just a myspace page… but at least have that)
6. Play music because you love it, not to make money. If you love it, you should not mind doing it for free… and don’t forget this. (P.S. this goes for everything, not just making music)
7. Don’t be an asshole.

In the evening, of all the venues in the area, I was stuck at The Office (the renovated Scolari’s Office). For those who haven’t seen the place since before it was revamped, you will be in for a shock… it barely looks like the same place. I spent a few hours there and would have to say that the only reason I would go there is if there was a good band there. But since they don’t have a permanent set up for bands, I don’t think this will happen very often. Anyhow, the owner/manager Joe is a good guy. He used to book bands at the Beauty Bar years ago, he and his friend from Bar Dynamite have been working on the obtaining Scolari’s for over 2 years. He loves live music and would love to see more in The Office but he has an uphill battle with the neighbors who called in a complaint during the sound check at 7pm. Sadly, the neighborhood will never be the same…

Anyhow, the bands I was privileged to see included Fing (2008 San Diego Music Awards New Artist nomination), Jezebel and The Atoms. Each were bands that I had not seen but had heard great things about. If I hadn’t been stage managing there, it would have been a long time before I would have gotten around to seeing these bands. I highly recommend checking them out… especially Fing. Their sound is incredibly unique and there performance definitely entertaining. They are excited about playing music and love what they do and it shows.

I briefly made it over to Chasers and The Radio Room to see Bunky and The Tighten Ups. We ended up leaving near the beginning of The Tighten Ups’ set because I got glass in my leg from sitting on the toilet seat. Yeah, someone broke their drink glass over the toilet and did not think to wipe the seat clean. I did wonder before sitting down why there was a lime floating in the bowl.

Overall, NXNP was a success… bringing in loads of money for San Diego Music Foundation and each of the venues. There were lines outside of Bar Pink (formally the Pink Elephant) and U-31 nearly the entire night. Other venues had large crowds that flowed in and out as people moved from venue to venue to watch bands perform. The shuttle service was maxed out… though they probably under planned for this. Next year, it will be bigger… but I personally haven’t figured out how they can expand (at least the evening portion) since all the venues were maxed out. Maybe use non-traditional venues (galleries, stores, parking lots) or think about using the North Park Theatre and the Masonic lodge. It could work. But definitely please spread out the heavy hitters (Scarlet Symphony, Get Back Loretta, Silent Comedy, Buddy Akai all on one bill?!) to reduce lines around the block. I really don’t mind moving around as long as I can see the music in the end.

Lucero @ the Casbah SOLD OUT!

The last time that Lucero came to San Diego was last October when they played Brick by Brick to a modest-sized drunk crowd. I remember this because it was the evening when the fires were just beginning to spread to Poway where my parents live and where my friend lives, who I was at the show with. Last night they played to a sold out crowd (who was probably equally as drunk) at the Casbah.

Personally, I didn’t bother getting tickets ahead of time since the last show did not seem to warrant buying ahead of time. Actually, I made a conscious decision NOT to buy tickets ahead of time. So we were shut out on the street like many others.

In the end, I was tired so it was fine to go home and just curl up in bed to sleep. There is always next time.

Burt Bacharach at the Summer Pops

At about 4 p.m. on Sunday I get a call from one of my friends saying that he has an extra ticket to see Burt Bacharach at the Summer Pops at the Embarcadero. I LOVE Burt Bacharach. He has been among the artists that I would like to see before they pass away (or quit touring altogether). Among this group includes Etta James (who I am seeing in September), Paul Simon, Elvis Costello, Robert Plant… I am sure there is more that I am forgetting.

Burt Bacharach is a legend in songwriting and composing. He is the man behind many popular songs that were sung by Dionne Warwick, Luther Vandross, Tom Jones, the Drifters and many more. He has influenced many artists over the history of his career. I really shouldn’t need to tout him. His music speaks for itself, especially when accompanied by the San Diego Symphony. I could feel the rises and falls of the power and emotion that he consiously put behind each song. This is how it is supposed to be heard.

Halfway through the program, my now drunk friend convinced me to move to the front. I was hesitant, but knowing that he was pissing off the people where we were sitting, I felt maybe we could find a more tolerable neighbor. And we did… two rows from the front. The first two songs of the second set I was fearing that we may be removed from our seats since my friend was now singing loudly and poorly along with the music… as well as taking time in between one of the sets to shout “Your the man!!!” to Burt Bacharach, who graciously smiled in our direction.

Luckily for me and the rest of the crowd (sadly for my friend), my friend fell asleep until the last couple of songs. My friend ended up missing Burt Bacharach singing “A House is Not a Home” and “Alfie” as well as small parts of other pieces in his weak, fading voice. It was serene and sad all at once. I got the feeling that he would not be singing much longer and that hearing his voice in song was something that I needed to cherish. Seeing someone age in front of your eyes brings sadness but also appreciation for what that person has gone through to get this far. I can’t turn back the clock to have seen him and other acts in the 50’s, 60’s and 70’s but I can let everything that is happening right now sink in, so I can share my stories with future generations.